Images of ‘England’s Black Cricketers’ exhibition – photographic portraits by Tom Shaw.
This shows a selection of objects related to each player, some from the Marylebone Cricket Club collection and others on loan from the players.
I can support exhibitions from the original concept, through object selection, to installation and opening night. I’ve worked with museum design teams to build clear, practical workflows that take some of the stress out of exhibition planning. By developing a structured, realistic timeline, and coordinating all those involved, everything from making object lists, case design, to drafting text and finally install, can progress smoothly without bottlenecks.
Object preservation is central to my approach. I follow best‑practice guidance on handling, environmental conditions, and display methods, and I know when to bring in external expertise. I maintain strong working relationships with conservators, mount makers, and exhibition designers, which means I can source specialists to create bespoke mounts, assess conservation requirements, and refine design layouts.
Building positive relationships with external stakeholders and lenders is crucial, especially when borrowing objects for exhibitions. I’ve researched objects, managed loan agreements and carried out condition reports for incoming items.
During installation, I’m happy to roll up my sleeves and get involved – from object placement to mount fitting. Installation periods are often short and intense, so being organised makes all the difference. I’ve learned to have objects sorted by case in advance, clear layout plans ready, a fully charged drill and comprehensive toolkit on hand — and, importantly, plenty of tea and biscuits. With that preparation in place, I’ve consistently helped deliver exhibitions on time and on budget.